A publication reframes Kishio Suga’s Existence Beyond Condition article to explore the Mono-ha movement back to the 20th century. Mono-ha is the name given to an art movement led by Japanese and Korean artists of the 20th-century who explored the encounter between natural and industrial materials. The publication explores the interdependence of texts, photos, and paper, just as Mono-ha’s main concept. The fluid grid layout and use of white space reinforce readers to observe the object itself.
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